Cathara

Knowledge against violence is part of a corpus dedicated to a reflection of poetry, combined with narrative technologies and fractal sound/imagery composed throughout my Intelligence Love Revolution residency with Foreign Objekt. The short film comes with eight visual extracts of fractal imagery and notions.
The overall framework of this research is notably inspired by Benoît Mandelbrot’s fractal ensemble, Donna Haraway's notions of nowness and sympoïesis, Josèfa Ntjam and Mawena Yehouessi’s works on futuribles (possible futures), Warren Brodey’s research on soft environments, Aho Ssan’s sonic views on Baudrillard’s Simulacrum, the Boaventura de Sousa Santos idea of an abyssal language, and hyperstition stems from the CCRU.

Music is a trajectory from the heart. At first, there is a feeling. While translation tools can be developed for the sake of language and common grounds, their imagery can only be a reality of simultaneously existing among others. Cognitively, it can only be received in a multiplicity of manners, running through various models of consciousness, accumulation, agglutination, combination of every sound that we get to hear and process throughout our lives.