Will our hypothesis die in our stead?: thoughts on 3 states of testimony
[Fig.1] Counterfactual convertibility of the past generated from the tacit state of testimony Have you ever heard phrases like ‘we will...
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"Unhuman, the twist in the surface" ......................................by Magenta
Posthuman topologies_Ocean, "UNHUMAN,the twist in the surface" World Building/Making, posthuman body...in NAC space
IST and plurality of times
Most towns in India retained their own local time until after the introduction of the railways in the 1850s, when the need for a unified...
Time and its instrumentality
Time is an object that is a consistent feature on the practice of various creative endeavours. I utilise the component of time as an...
Revisiting the Notions of Time and Temporal Matters in My Practice
by Wuttin Chansataboot (This page is under construction) “Time” has been one of crucial elements in my artistic practice. My interest in...
Text to Music - 1
Some experimenting with a wonderful website i found. The speed of the sound is based on the length of words which is ... unsure about...
Temporal Dimensions
In thinking of biological rhythms (heartbeats, circadian rhythms, musical deja vu, recurring memory) and mechanical temporality (time...
Diagramming my projects
I oscillate (literally) between the nerdy part of my brain / self and the expressive / creative parts of my self. Applying to this...
Repetition and alteration as a way of accessing creative bifurcation
Our perception of time lies in our ability to recollect memories. Because we remember what just happened, or what happened a long time...
ways of engaging with dense 2d texts
Things i have found as a way of exploring my works which might be fun or useful for someone else dall-e: somewhat creepy ai which...
Time, Errors and Miscommunication
Time, although described as a dimension and a fundamental property of the universe we live in -- is culturally and socially constructed...
Always Pushing Away the Abstract Child
This project speculatively constructs a character, ‘the Abstract Child’ as a basis for collaborative performance philosophy.
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